The 2013 Bordeaux EN PRIMEUR Campaign: A Diminishing Commodity

 

CANCEL THE 2013 BORDEAUX EN PRIMEUR CAMPAIGN?

 

HARPERS.co.uk recently asked the wine trade if we thought there should  be an en primeur campaign for 2013 Bordeaux? 

Yes and no, depending on why they are considering not having it. If the reason is because they are hesitant to proceed without Robert Parker's scores, then that is not a sufficient reason. Proceed without him. He should not be allowed to hold the market to ransom. Further, nor should his penchant for re-scoring vintages ten years later be encouraged or supported. This gives him, and his interested parties, another bite at the apple. Quite dodgy. He is not only moving the goal posts, he is ADDING new ones. 

Should the system continue, in general? No. The en primeur system has seen its day. Climate will destroy the market it created. Since harvest reports are the key instruments upon which all projections concerning a particular wine's longevity are based, they are also then, the key instrument used to guide any investment in that projected longevity: the backbone of  fine wine investment; that ironic game that has warped the industry, and the wines, so unrecognisably. The traditional investment model is inane. Even Thomas Jefferson thought as much, for his own reasons, when he wrote that buying wine directly from the château was the only way to buy it, stating that “it is from them alone that genuine wine is to be got and not from any wine merchant whatever.” And climate change will be the final nail in its coffin. Future investment has to be focused on the future of the new energy technologies that will fuel our future wine regions, not on buying wine futures via the en primeur system. 

The en primeur system was meant to give the wine trade, or chateau, a two-year period during which the wines await retail release at higher prices (hopefully – this is what did not happened in 1970/71).  A sort of game of Cabernet-curtain twitching between neighbouring chateaux, and "keeping up with the Latourses". If one feels inclined to don some rose-coloured glasses, then yes, the en primeur system could be looked upon as originally having been for the good of the wine and of the producer – a benevolent sort of investment. It is not at all certain that two years after harvest the wine will sell rapidly at the best price. The system counteracts this risk and provides a bit of insurance. But if the original intent was altruistic, it was quickly replaced by opportunism.

The system is a dinosaur and seems to be unwilling to acknowledge the changes unfolding before it. In the real world, the world in the vineyards, everyone talks about climate change. They have to - we are standing there looking at the shriveled rows of vines. But in the virtual world, the world of London investment firms and in most wine industry trade journals, there is never a whisper. They are desperate to keep a lid on what may explode their game. Since 1988, when reliable data first became available, the fine wine investment market has generated an annualised return of 12.1%. Why mess with that? Fine wine consistently out-performs shares, bonds and other asset classes, delivering annual double-digit growth. Fine wine investment is less volatile than other assets such as equities, gold and oil whilst the correlation between financial and fine wine markets is relatively low, providing greater resilience to recessionary conditions. Fine wine investment is a tangible asset (if the buyer ever bothers to visit it in its storage facility); it is a finite and reducing supply as vintages are consumed versus increasing demand; it provides the ability to off-set currency influences; and is tax efficient with its potential exemption from Capital Gains Tax. And, you can brag about it over dinner!

A recent wine reporter I read, wrote, in his analysis of the poor 2013 Bordeaux “investment environment”: “As it struggles to find direction, reports of the Bordeaux 2013 harvest do not provide much cheer. But does it spell further trouble for Bordeaux? Maybe not. (Yes, of course it does, I say.) The market lives and dies on both demand and supply. Traditional collectors have not bought en primeur since 2009 (And, have you asked yourself why that is?). If they are still drinking, then their stocks are down. The small and mediocre 2013 vintage will be of little help. This might just be the bad news event that piques the market’s interest – and subsequently leads to restocking.” This analysis is so far off the mark, and irrelevant, that it beggars belief.

So what has climate change got to do with this? The system got further mired in the ambiguous “point” systems of American wine critics. Suddenly, their opinions were having a greater influence on the prices than the guidance of the négotiants. All fingers pointed at Robert Parker, whose American palate had been trained with warm-climate wines and who prefers the big, oaky, ultra-ripe wines. If he liked a wine, and gave it prizes and high scores, it sold. If he did not, it didn’t. The Bordelaise started emulating this New World wine-style, adopting the methods to achieve ultra-ripe grapes with the high extraction, high alcoholic, sweet style that got the attention of the New World critics. What they did not realise is that Mother Nature was creeping behind them and planning to do this for them anyway. Higher temperatures cause more sugar, more sugar means higher alcohol, and more alcohol, more imbalance, and imbalance means a compromised longevity. And longevity is what all the en primeur bets are based upon.

These Bordeaux that are now unbalanced by alcohol; first by man’s desire to please the critics, and now by climate change, have had their aging potential compromised and thus, their value as a commodity lessened.Jean Claude Berrouet, formerly at Petrus and now winemaking director for various estates in Pomerol, said that in his 40-year career he has seen alcohol rise between 2 and 2.5 degrees in Bordeaux. 

This commodity is losing its uniqueness and its reliability: the two basic tenants of investment. If these wines do not cellar as long as they used to, will this mean that investors will get a smaller return, but a faster one? Should the system remain in place but merely in abbreviated form? And will the investor/consumer accept the new Bordeaux profile? How sweet does it have to get before people say “no more”?  If Médoc grows Carignan or Carmenere (again), how will that change the Bordeaux brand, and how will that go down? The classic Bordeaux model is already non-existent ...so, in what is there to invest? Adaptation and Mitigation, I say. Invest in the future of WINE - in the land, the people and the improvement of the technologies that we have today to make them more affordable, and, to invest in the technologies that are going to be needed in the future. And, face the fact that adaptation techniques and mitigation techniques are hurtling towards each other- and will eventually eradicate each other: irrigation is the number one Adaptation technique, but it lessens wine quality and salinates the soils. More importantly, there won' t be enough water to irrigate. And conversly, irrigation is the Mitigation campaign’s number one enemy. It's Margarita time. 

 

 

 

2008 Bordeaux ... the last of the recognisable classics?



2008 BORDEAUX at the 2012 London Wine Trade Fair

This event was moved from last year’s room into a smaller space up in the
South Gallery … a space much resembling a decaying Hilton… dull, lifeless,
non-descript. One could not imagine a less inspiring back-drop.

There were only 30 or so of the producers present and those who were, were
complaining (and rightly so) about the pointlessness of Excel and the poor
organisation of the fair overall. Was the poor turn-out due to their
fatigue of Excel, or the fact that 2008 has turned out to be a hugely
successful campaign and most have sold all their wine?

For 2008 is what I fear may become to be known as one of the last recognisable Bordeaux
vintages due to the increasingly higher alcohol levels, which erase any
varietal character, terroir-influences, subtlety or complexity. My more
recent trips to Bordeaux have proven that this is going to be the demise of
the Bordeaux wines that seduced and enticed me into this profession over
two decades ago. At first, the Bordelais actually sought the high alcohol,
in-your-face, up-front fruit and new oak American style to try to emulate
the inferiour New World versions (Californian, principally) and to garner
praise from the immature and commercially-driven palate of Mr. Parker.
Then, perversely, Mother Nature started to do the job for them and now they
are hit with a double-whammy.  But, more on this later.

I have been following this vintage and was saddened to see so few châteaux
present, as I was looking forward to comparing my notes from the last
tasting. But I was pleased to see how well they were tasting ... most of
the wines hovered around the 13% mark and I found many examples of fresh
and enjoyable wines. As I overheard Steven Spurrier say to a taster
standing next to me ..."Charm. If they are not charming, then what is the
point?". How beautifully put. So, yes, I too, as always, was on the hunt for a bit of
charm. Here are a few scanty notes.

Pape Clément, Pessac-Léognan
The white was over-oaked anda t 14.5%, clumsy and lacking focus. The red was dominated by new oak but may find some balance as the extracts were good, but the tannins were green … so perhaps not.

Carbonnieux, Pessac-Léognan
A solid example of this appellation’s typicity: very terroir-driven. Hints of lead pencil and good acidity, although a touch lean and green.

La Tour Carnet, Haut-Médoc

Fresh and clean on the nose. Nicely structured, robustly elegant … if that is not an oxymoron.


de Fieuzal, Pessac-Léognan
Very well done. A feminine, fleshly and textured wine with bright movement and charm.

Maucaillou, Moulis-en-Médoc
This is fresh and lively with good minerality and balance.

Chasse-Spleen, Moulis-en Médoc

Again, lively, highly expressive and fresh with lovely perfumes.


Greysac, Médoc

Dur et amer …flat, lacking dimension or texture ... boring.

 

Cantenac Brown, Margaux

Gorgeous. Perfumed, feminine, and charming. A well-structured and focused wine.

Dauzac, Margaux

Another charming, violet-perfumed wine … freshly acidic and lively, feminine. Perfect.


Prieuré- Lichine, Margaux

She served me the last of a bottle and it was off – not bouchonné, but there was a problem. So how many people tasted it before and had not noticed?! She opened another and it was much, much better. Fresh, clean, well-made, the wine we know and love.


Monbrison, Margaux
Really lovely. Again, great acidity and freshness with a strong, clean minerality. Very focused and well-structured with a nice finish.

 

Du Tertre, Margaux

Huge first attack with upfront noisy extracts …falls apart mid-palate. Too New World in style.

Giscours, Margaux

A bit clumsy and unfocused. Oddly textured … disappointing. Will have to come back to this.

Labégorce, Margaux

Not drinking well - green tannins and acetate tones dominated.

Lascombes, Margaux

Not too much to like here … it is well-made, but unexpressive and with a dry finish.

Marquis de Terme, Margaux

A very grown-up and elegant wine but too thin and lean. Lax: it isn’t trying very hard to please.


Gruaud Larose, Saint-Julien

Sec et serré … dry and tight and lacking flexibility. Not drinking well today – too severe. One of my favourite wines …so give it time.


Lagrange, Saint-Julien

Another from this appellation that is not drinking well today. Dry and green on the nose with a hard, unforgiving palate. Not what one normally gets with this wine.


Cos Labory, Saint-Estèphe
A clean, fresh nose, appealing. But lacking corpulence or real body and thin on the finish … stationary, one-dimensional.

 

Lafon-Rocher, Saint-Estéphe

Simply stunning. My favourite of the day. Very elegant nose. The rich palate is so refreshing it is almost cool on the tongue. Incredible body and structure and most of all, movement … it dances across the palate. Such personality and seduction.

Phélan Ségur, Saint-Estephe

Daring and brooding, almost savoury… lifted and complimented by fresh acidity and structure.

 

 

Second wines: La Demoiselle de Sociando-Mallet


2006 La Demoiselle de Sociando-Mallet, Jean Gautreau

 

I bought a case of this also at the Caves de Taillevent (www.cavestaillevent.com). They always have a sort of “wine of the week” on sale for affordable, everyday drinking, and again….a Bordeaux second wine steals the show.

 

This is the second wine of Château Sociando-Mallet. I drank this vintage (2006) a couple of years ago and it was closed and tight. But it is drinking beautifully now. Fresh, clean acidity … buoyant fruit and integrated, mature tannins. Very nice.

Dinner at l'Absinthe, Paris...with the Comtesse


Dinner at l’Absinthe, Caroline Rostang’s bistro in Place du Marché Saint-Honoré with the Paris Passion girls and Jill. (www.restaurantabsinthe.com)

 

A fabulous ambiance and fabulous food. Here are just a few of the délices we devoured:

 

Pressé de Joues de Boeuf marinées, Salade de Choux croquant

Tranche de Foie gras rôti, Crème de Potimarron et Huile de Courge

Oeufs au plat, Champignons sauvages, Gruau de Sarazin

Ravioles de Romans à la Crème de Langoustines

Travers de Porcelet au Satay

Grillade de “Prime-Ribs Black-Angus”

Gratin de coquillettes au vieux Beaufort

 

And drank it all down with a 2002 Réserve de la Comtesse, which is the Second Wine of Château Pichon Longueville Comtesse de Lalande. I adore second wines: they are the best kept secret of Bordeaux! The grand crus have quantity and quality “quotas”, and if there is “left-over” wine, it goes to their lower “gamme” or second label. It will be the lesser selection from their batches ….maybe the newer, younger vineyards, the less favourable plots, etc, but it is still a huge slice if the original. It won’t age as long, but it is a wonderful way to enjoy the great crus at a third of the price.

La Reserve de la Comtesse is a three-string pearl choker … a lavender-infused lace and silk negligee strewn over a chair in a boudoir over-looking a rose garden…. A lipstick-stained tissue on a dressing table and a pair of black heels left carelessly at the foot of the bed.